Posts Tagged ‘ depth

Local Contemporary Design Part 2

Following on from Part 1, next up are three brick based Developments:

1. New Campus in Cork Institute of Technology, Bishopstown, Cork

Verdict: Thumbs Up

This is a great brick contemporary design. References to North African and Medieval styles with Modernist roots combine to form a fabulous courtyard campus.

C.I.T Campus Reception 2

C.I.T Campus side on

C.I.T Campus Close up

Depth & Modernism

Depth is created by focusing on hard angles and using simple but large shapes like cubes and cylinders (A modernism trait) with little interference from other materials that might soften the effect. The right angled solid nature of brick is highlighted by using cuts, particularly long narrow slits vertically to counteract the long horizontal form of the overall brick mass itself shown in the pics above. In its pure and simple form it is a wonderful material that needs little else to show itself off. Keeping to basics is usually the best way. Large rectangular shapes can do this, and are helped by using rectilinear cuts into the surface whether sparsely or more plentifuly as is in this case. This linear horizontal and vertical sparring is also very pronounced in Modernism. Brick is particularly great as a material to utilise in modernist architecture but oddly is under utilised as such a tool these days (This is most likely due to the cost of the material and the fact that modernism itself looked forward to new materials like steel and concrete rather than attaching itself to traditional designs that often used brick, but with current contemporary architecture drawing from many more sources it seems quite useful as a material to incorporate).

In terms of the visual aesthetic it is ideal in my eyes as a contemporary modernist material when used simply and correctly like above. Highlighting the quality of this brick is best done through focusing on its own nature and texture by exploiting light and shadow as a result of the brick predominantly, which is why this design looks superb. Everything is set on a different plane behind the brick. In terms of the facade the only interruptions in the surface are the cuts. No other material is seen at this plane. Passages and windows and doors are all behind and don’t lie in the same plane as the brick. Massing of the material is highlighted superbly, the brick feels almost monumental.

North African & Medieval references

The forms of the design also draw on old North African Palace traditions in the use of external passages and arches that run alongside the internal courtyard and also in the hidden/protected nature of the spaces behind the brick. The narrowness of the openings harp back to traditional hotter climates and architectures where protecting internal spaces from glare, sunshine and overheating were/are important and also to Medieval times where slits were used for soldiers to point and shoot out of but be able to hide behind easily. The slits along the top of the facade walls also echo this. The feeling here is of being in a North African Palace or Medieval Castle with an internal courtyard and walls around an enclosure. The tall cylindrical part echo’s many old forms such as a settlement’s internal castle.

C.I.T Campus 4

Back of C.I.T Library

Other side of C.I.T Campus

These elements are all combined in the Campus design with a contemporary twist which I think look fantastic. Needless to say this building has won awards for its design.

Another factor in the design and selection of brick as a material was the preceding project, The Library building in between the new campus and the old campus. It was an award winning building with a fantastic contemporary and modernist twist on brick but without the North African or Medieval influences. Considering this building was completed in 1999 its certainly a building that has aged well and remains a beacon for other Modernist or Contemporary style buildings brick or otherwise.

Cork Institute of Technology

Cork Institute of Technology Library

Side of CIT library

End of CIT Library

On to the Next one, another brick development

2. Merchants Quay Shopping Centre, Cork City

Verdict: Thumbs Down

This was one of those buildings that was praised when it was built without fully considering its context.

It was praised because it was one of the first large retail regeneration projects in the city centre at that time in the tail end of the 1980′s, early 90′s and brought much needed employment back to the this area, with the previous homes along the quay having been demolished for safety and the poor state of the buildings, while an original quayside was present long before those homes were built in the first place. Unfortunately scaffolding just went up around half of the shopping centre at the time of these pictures below but you can still get a clear idea of the situation here.

Merchants Quay Shopping Centre Close up

Merchants Quay front on

Merchants Quay full side

Most of the homes that were built previously consisted of stone rubble and were whitewashed or painted over then, all were pre war houses. So Red brick then? On the Quayside?? Red brick was not really an Irish traditional building material outside of Dublin urban areas and its Georgian influence, the main exception being certain grand buildings in Cork City Centre or Manor houses built by or for the upper classes prior to the war era. Other examples were warehouses built along Quays for storage. Any examples of it remaining along the quays is on the North side basking in daylight and sun, like below, and small scale, rather than on the South side facing north covered in shade and allowing moisture to soak in more readily.

Spattering of red brick buildings along North Quay facing south

The River Lee runs West to East through the city with river splitting near the centre, around a former marshy island into a North and South channel and joining again before exiting towards the harbour eastbound, the city centre was built over the marsh and many streets are shaped as they were built over the many channels throughout the marsh.

Brick was used by upper middle classes as a reference to English history with its own style and industrialisation. But many of the former residential houses on the southern quay here were not brick but stone and painted/whitewashed over, making this massive brick development a bit curious. The original Merchants Quay was formerly a traders Quay most likely built from stone and rubble if memory serves correct from the old archives, but possibly brick, I am open to some correction on that. The Quay was rebuilt and widened for this development and the design references the arches theme as such from the original Quay building but the materials dont seem right for the current site and orientation, particularly in the extensive nature of the building here, and its ‘Wall‘ effect. As its mostly in the shade too I think it could have done with splitting up the brick facade a small bit to bring some more colour to the quayside. The brick itself isn’t the problem but with the dark road and quay walls it could also have done with a different texture somewhere to brighten the quay and separate the two sections of the shopping centre and avoid that feel of a long wall.

Urban Planning and interaction.

Unfortunately, but a little expectedly this development never brought life to the quayfront here, lacking in interaction with the bustle inside the shopping centre and main shopping street around the corner, never drawing people to the quay or across from other quays to this side as there was no life or interaction available except the ability to go through one entrance far down at the end and into the building. The other entrance at the top was accessed from another street….So the whole quay side has one entrance down at the end. There was and still is no real reason to walk up along the quay anymore, I mean, why not just go inside and walk under the shopping centre roof and its shelter? This did nothing to attract life to the outside. It simply doesnt do anything to liven up this part of the river which is a big problem as all it does is reinforce the idea of a ‘wall‘ along the riverside, rather than a bustling interactive and open quayside which it could and should be. This is not just true of this development but also for many other developments of the 80′s and 90′s which only looked at car travel instead of targeting urban living and pedestrianization. Its not too pleasant to look at in places either (those green windows sticking out are pretty bad, as are the multitude of high position windows that dont appear to have any function except as exterior decoration) but mainly it is a fail in the overall design and material choice and the interaction of the quayside with the populous!

In particular with the material choice of red brick there should have been a better use of the arches or depth along the length, rather than putting mock arches flush into a flat facade with fake shop fronts also (shop fronts located their entrance in the centre itself, these glass fronts were actually the backs of the stores and were not accessible from the quayside outside). Again, the overall effect is a ‘Wall‘ rather than something interactive. This Postmodern-esque reference to arches is an example of exaggerated historical references that did nothing to aid a facade, if anything, in this case, it just reminds you of what it could have been and actually detracts a little from what could have been a fine exterior.

Options such as better use of clear glass and or better use of arches to introduce depth to the facade would have been a positive move as would rearranging the layout to avoid a wall and/or linear edge all the way up the quayside. More ACTUAL openings large or small, would have introduced space and depth. Staggered levels, stories or layout may also have changed the feel of the quayside while perhaps sheltered or glassed internal balconies for the restaurant above for example would have furthered the three-dimensionality of the space and brought customers ‘onto’ the quayside. The windows presently above the ground floor are not for customers purposes and are mainly tinted which dont help to introduce space, light or life to the quayside. A more opened or flowing nature to the development would have improved this. As it is, this brick facade just walls off the area and in this instance the brick material could have been utilised better to open this quay up with real depth and character.

Next is:

3. Apartment Development in Academy Street, Cork City

Verdict: Thumbs Up

This is a new apartment building which was introduced as part of the redevelopment of the whole block 3yrs ago. It was the former site of the Cork Examiner Paper Offices and has plenty of History of its own.

Academy Street Apartments, Cork City, Ireland

From the various details to the really nice varied colours of the brickwork it looks great. I especially like the brickwork and its textures. Instead of choosing a single brick set with one colour of roughness there is a nice blend of different types of brick, producing a nice mix of cherries and reds and blueish-greys even! This depth of shades and rough textures provides a nice character to the facade and also gives it the appearance of growing up a long time ago. Many of the bricks may have been reclaimed from the previous building, they certainly look like they have been weathered, but I am not certain,

Main Entrance to Apartments

Fabulous Doors and leadwork patterns. Gold plated accessories such as custom door bell ringers and door handles also add a traditional touch.

Academy Street Apartments Window Detail

Check out the Mosaic tiles at the top in green and black. The woodwork around the windows is also pretty tasty looking. Some fabulous details really in this contemporary building; an original with its own slant on traditional styles.

Window Detail up close

I like the leadwork on this piece of glass. Quite a contemporary design but it does look great.

The development of this whole city block involved retail outlets with residential apartment and offices overhead. This is an entrance to the apartments overhead but has provided a beautiful exterior full of character and historical references with some nice contemporary features. As mentioned already the tile-work is classy at the top with nice ribbon patterns present also.

The brickwork and details are intricate and add to the overall effect. This contemporary postmodern-esque facade is designed with skill and beauty at its core and is one of the few really great examples of its type in recent times in the city.

Thats it for now, Hope I’ve shed some light on various brickwork examples in contemporary design. I’ll be back next week with the next installment of this series :-)

Local Contemporary Designs

As discussed in the previous posts in this section on Contemporary Design I will dedicate this and the next few posts here to Local examples of Good and Bad contemporary architecture in my hometown. The kinds of buildings I’ll show wont be from the Likes of Zaha Hadid or Calatrava but from more local and national companies and less ‘conceptual’ in that regard. Everyday examples if you will. These are Urban architecture examples as distinct from Rural forms regarding the guiding aesthetic themes and spatial planning.

To make things more interesting and as a throwback to the original ‘Decider’ I’m going to categorise these examples into ‘Thumbs Up‘ (The Contestant/building succeeds and lives to fight another day!), ‘Thumbs Down‘ (Contestant fails to win the heart of yours truly and is thus destined to the architectural scrap heap) and ‘Jury’ Vote – which I will leave up for grabs to the deciding public for their opinions if I am torn between decisions!

So, let’s head down to the ring and gear up for todays matchups.

The lights go down, contestants are warming up backstage, trainers wrapping up the knuckles, some can be heard shouting taunts such as ‘You were Apt for your time’ , ‘You are not an Eastern-bloc style apartment block, you’re a clever twist on a modernist design.’ and also ‘Dont listen to them champ, pre-cast Concrete panels with flat windows look fantastic as institutional and commercial building facades’ . Also heard apparently was Different is More, Different is More’ a similar phrase to another one I believe…A hectic warm up area just now….

To the opening event, Lights are low and music pumping now, the anticipation building as the host grabs the mike and yells ‘Arrrrrrrre you readyyyyyyy, to rrrrrrrrrrrrrrrrrummmbllllllllllllllllllllllllllle?!‘…

First out to show its pedigree is this example.

1) WOODBROOK PLACE, Bishopstown Road, Cork City

WoodBrook Place

Verdict: Thumbs Down

From the Terrible Door Styles, Horrible Downpipe and Gutter design and colour, to the Cheap Grey colour of the roofing and windows, to the ‘acupuncture’ nature of the room vents in the facade this is not a nice aesthetic. The idea of the railing in front about a 1 foot away from the facade is terrible too.

If its going to be white it should ALL be white, not ruined by awful grey trims and windows. ALL white would at least have maintained a Modernist Geometric form and style and could create the feel of being carved out of a White stone block but the finished product here is all over the place. And thats not to mention the reference to the other houses and buildings next door to it in the pics below

Woodbrook Place and the old terraced houses next to it.
Woodbrook Place from another angle
Woodbrook Place at Junction showing other pitched roof houses

In what scheme of things was this considered a suitable design for this corner featuring quaint old terraced townhouses on one side and decent enough 70′s era residential on the other side all with pitched roofs, seemingly a point stressed to designers in this area except in this case. If this is to be the exception in the area it should have been a thing of beauty not a mutation of a nice idea on paper.

Take away the grey roof trims and make them cleaner with better flat roof parapet details to hide the external fashing from view with maybe minimal trims as per the infill segments of the building up high between the thick grey roof trims. Why was there dark grey fascia boards or pieces stuck on below the roof lines??? If this was minimal it might actually look like a decent shape. The grey windows would surely have looked better being more subtle in a lighter colour also, to enhance the ‘white marble block’ style aesthetic?

And that gutter and downpipe layout?? Could be more linear, should probably be painted white to blend in aswell and the vents look hideous. Perhaps they could have gone with an alternating external finish like different stonework, or maybe wood with the white walls in between or been more inventive with the window styles and door openings but this just doesn’t work on any level for me.

As can be seen they stuck to the roofline height overall but…a pitched roof dormer style terrace house does not look the same height as a standard 2 story house with flat roof. The many vents stuck into the facade also create an ugly finish, as do the mainly glass front doors, 80′s style (terrible choice, even tho obviously helps with light inside there are always other options)

Heres a pub on the opposite corner built on a former premises in the early to mid 1990′s. Note the Pitched roof and traditional nature of some of the details, windows and chimney feature. This is a non linear 4 way junction and the white new building is just visible in the background beyond the bar

Bishopstown Bar, Cork City, Ireland

Next up, It was built really quickly and under some anticipation too but it has quickly become an icon of horrible contemporary block styles that harp back to the Soviet era… It is:.

1) VICTORIA MILLS APARTMENTS, Western Road, Cork City

Victoria Mills North Facade

Victoria Mills phase 1 West Facade with entrance

Victoria Mills Phase 1, 2nd Block North Facade just showing part of west facade also

Behind the houses across the road from Victoria Mills with residences up on hillside in view also

Houses across from Victoria Mills 2nd Phase

My verdict: Thumbs Down

This went up in 2 phases. The first phase was this large rectangle shape with yellow tiled squares as rainscreen cladding with FLUSH metallic grey windows which look just like the horrible old grey metal windows of the Late 1980′s before uPVC came in. Remember this>

Prefab Technical College built circa 1960's

Prefab shot 2 Technical College circa 1960's

Does anyone think these flat metal windows that sit flush with the pre cast facades look good? No, I didn’t think so. So why would you repeat this mistake so similarly.

The south face is nicer, I’ll grant it that, mainly because there are more balconies cut into the facade giving it some important depth and strength, but this south face is hidden from view from the street side, (which is why I don’t have photo’s today of it)  and is only viewed from the university campus behind. This is where much of the problem stems from. It is seemingly negligent of the visual impact that the public facade on the north side has with its surrounding.

This side is the side everybody else sees passing thru town. It is flat and pretty horrible. There used to be a wood mills on the grounds over a river here before this went up, explaining the name, but thats where the similarity ends. There really should have been much more attention paid to a considered design, given the proximity of nearby historical buildings and also the viewability of such a site from nearby roads approaching the area. Heres a shot of a building on a hillside overlooking this part of the narrow valley…

Historical Buildings on the valley side overlooking this area

If it was just located within campus grounds in its own space away from something else it would be different but this is surrounded on most sides by small scale, old and historical buildings many of cultural noteworthiness nearby along the western road and surrounding areas. This sticks out like a sore thumb. The quality inside is of a very high standard, I would expect nothing less from this architect but the outside and scale raises questions. The larger windows look terrible flush to the face when there are so many of them while the lack of depth overall does not help. Shortly after this was built they then built the second phase, this>>>>

Victoria Mills Phase2 Brown brick

Flush Aluminium cloured Window frames no sills on Brown Brick

How is this a nice idea? It needs depth and massing. There is too little depth in other areas to counter this flatness. It really does hark back to the Previous Pics of the Prefab technical college windows…

Victoria Mills 2nd phase North Face with brown brick and 'aluminium' windows

Victoria Mills and subsequent development next to it

How did this get the go ahead??? After building the Victoria Mills Student Accommodation they put up a different student accommodation block next to it like this. Both of them have flaws but the one to the right is not even finished cleanly. Poor choice of materials, styles, completely different levels also to Victoria Mills to the left. All wrong! (Tear hair out…) I’ll show more of that in the next post if I get some pics of it.

Both sides of road showing Victoria Mills and existing homes. The road forms an S-Bend here to the left over a river then straight again into the background, and also a bend to the foreground running right, out of picture

Houses across from Victoria Mills 2nd Phase

Both sides of the road show dark materials, I would have thought something lighter would have been appropriate here considering the need for brightness and reflection onto the dark corner. The sun is shining here as a result of the evening sun just about to set and being in line with the road.

This 2nd part of Victoria Mills is certainly as bad, if not worse than the 1st phase! Maybe it was actually meant to make the 1st phase in yellow look better!

The brown building arches over the road. Again, I’m sure in the right surroundings it might have looked a bit better but not in this context. A tight but heavily trafficked twisting route, lots of hardscape surrounding this building with no green or trees on its north facing which would at least provide contrasting colours, a row of older homes opposite but none are over 2 stories, this road needs light and colour and some bit of reference from this design, not this large dark coloured brick mass blocking out the light and the view.

Brick and Window type

The issue here is more the window detail than the material. Brick has an amazing quality, its varieties and textures can provide beautiful facades, but only when utilised in the right way. To emphasise the hardness and volumetric nature of brick you should provide depth, holes or cut angles in the volume to highlight this. A Large Brick cube looks superb when you cut out a small rectangular opening on one side, provide a recessed window or if you undercut a side, giving it this depth. It does not look good if you place a window exactly flush with the brick on a face unless sparse, or countered by significant angles and holes, as this leads to an unnatural softening of the brick material. Adequate ‘Massing‘ of the material is at stake here. If anyone has an example of such an extensive ‘flush’ window design type that looks good with brick in a contemporary or traditional sense please show me as I have not seen it yet.

So, the first problem is the window detail, the second problem is context….from the other side of the other river bank within campus grounds this building looks a little better even with its flaws as it it is separated from other hard forms and aided by green colours. But from the street side it does not get away with it due to the turbulence, harshness and claustrophobic nature of the street which lacks a natural setting such as trees or greenery for most of it. On this side the colour of the brick does present a problem. It does not reference or appear sympathetic with the other buildings nor does it provide a pleasureable contrast….it needs to feed off of the street somehow, live with it side by side rather than attempting to swallow it up in a ball of darkness and confused industrialisation.

On scale and orientation

Since the facade is north facing, and is 4 stories of vertical flat structure for much of it, right on a roadside, you can just about see the sun creeping up and behind the roof line only if fully across the road to the opposite footpath. This brown brick rectangle simply creates an extra large shadow over the road. Its akin to viewing a solar eclipse! Thats the type of distortion. The development dwarfs the surrounding area in the wrong colours, shape and shadows.

Victoria Mills 2nd phase showing shop on ground floor with disastrous on street parking on busy bend

This ‘just aint right’. The effect of the flush windows, the lack of real depth and profile to emphasise the brick correctly, and on top of this, no appreciation of immediate surroundings on the street side, of history, or of context here. Did anyone request a model of how the building would look from the street rather than all the promo pics of it from the largely hidden campus side bathed in trees and greenery???The building shape is part of the problem, the main issue is the materials and window positions combined with the choice of colour, considering the north face and size of the road and nearby homes. This Architect has done several projects following a similar theme of using mainly brick with simple geometric shapes while using flush aluminium style windows again, but the ones that work are the ones that used more irregular and alternating patterns instead of windows in large grid layouts ie….they would be positioned alternately or less extensively while primary focus was on the mass of the brick, its shape usually countered by an angle or hole cut into it to show off the quality of the brick and not the underwhelming flatness of the windows.

The decision to put a small shop mart on the ground floor on a busy bend with on street parking is also questionable. Cars pull in and out of a few bays positioned on an extremely busy and tight bend creating very hazardous conditions for those parked and those using the roadway.

To finish with this building though, using cut outs to add depth and character would have been beneficial in Victoria Mills but as it lacks most of these characteristic traits it simply fails to inspire.

The following is a building that shows how to use brick in a very pleasing way…from Cork Institute of technology’s newer campus here is a few pics and I will talk about it in the next post along with some more examples

Back of CIT Library

Plenty of Massing and depth going on here, even with the flat-ish windows (not quite flush though they are still recessed slightly, and also the window layout is singular and alternated rather than grid like expanses on a single facade)

Cork Institute of Technology

Cork Institute of Technology Library from front

Note the linear but sparse windows in comparison to the scale of the brick facade and the recessed nature of these windows. The low horizontal window layout and style here emphasises the brick’s nature and mass.

Well, thats it for now, This example and much more to follow in the next post! See you then…time for a cuppa now :)